Wednesday, 10 October 2012

Wheatus "Teenage dirtbag baby" MUSIC VIDEO

This music is one of which is produced using movie snippets - this one from the first american pie movie.
The video is also featured in the film.

Basically the video is the band "wheatus" performing a concert in a school and clip snippets from american pie. The music video is related to the film and if you've seen the film you'll understand how it relates to it ("I'm just a teenage dirtbag baby")

This music video is fairly simple but works for the lyrics and that it is a big part of the film.

michael jacksons thriller MUSIC VIDEO

Michael Jacksons 'Thriller' music video is probably the most popular and well known music videos of all time and when it was released setting a new standard for music videos.

The music video itself is more of a mini movie sequence and tells a story more than portrays a song.
the video contains iconic dances used again and again in other music videos, films and TV commercials and is known all over the world.

The music video was a very expensive one and included the all time favourite thriller/horror star vincent price (the voiceover)

In my opinion this is the best music video ever, and really never has dated - even though this was filmed and created in the 80's and is still impressive to even modern day standard music videos.

the darkness "I believe in a thing called love" MUSIC VIDEO

This music video is quite odd - its set on a startreck style spaceship (in space, shockingly) and basically the band running around the ship being weird and playing music...at the end resulting in a giant squid attacking the ship and them destroying it (by my perception) using  the power of music...haha!

so the music video is basically startreck gone wrong but is a enjoyable and unique music video and i like it because of the fact that its so different.

the song itself though is very popular and is used in a lot of films - i think it reached great chart success back when it was released (i think that was back in 2003 if i can remember)

I also like that the video is quite different to the ones released from the same time - in my opinion i think that the band decided this style to stand out from the crowd and be outlandish compare to the other music videos.

harry enfield loads money MUSIC VIDEO

“Loadsamoney” is a music video from 1988 by Harry Enfield. Enfield is a British comedian who accidentally created a hit single from this comedy song. The song itself starts out with the singer spelling out “L-o-d-s o-f e-m-o-n-e… what does that spell? 



The video itself consists of the singer wearing brightly colored jackets and jumping around and yelling in front of a green screen while holding big bundles of cash. There are also constant cuts to irrelevant clips that Enfield then interrupts, to remind the audience that he has “loads of money.”
The music is terrible and the video is too, but you won’t be able to stop watching it.


The video is basically a mockumentry style video taking the 'mick' out of video's and singers of that present time.

Monday, 8 October 2012

music video lemon incest


Lemon Incest
1985 French music video by a French guy and his Daughter.

In France this reached great chart success – in my opinion just because it’s a creepy peado / incest video
and probably at the time it was released everyone was probably talking about it – so that’s how it reached high chart success.

This song has caused a scandal as it was accused of glamorizing pedophilia and incest. Charlotte, who then was twelve, sings ambiguous lyrics seeming to refer to a physical love between an adult and his child. In addition, the relationship between the two singers is the same as the protagonists of the song, which led to suspicions on the autobiographical nature of the work. Serge Gainsbourg denied these allegations in the media. Charlotte recently defended her decision to record the track, though acknowledging it was a "provocation".

Wednesday, 3 October 2012

lady gaga Music videos similar to paparazzi 10

In my opinion nearly all her video are kind of the same genre and style - just basically weird...so when it comes down to similar music videos to paparazzi id just say all Lady GaGas videos - the one that reminds me of paparazzi the most is 'telephone".


lady gaga inspirations MUSIC VIDEO 9

"Paparazzi" has a similar up-tempo composition to the previous singles "just dance" and "poker face" and carries a sultry beat.

"Paparazzi" is based on slightly languorous synth textures and incorporates percussion to convey the emotions.

Gaga takes influence from numerous musicians from dance pop singers like Madonna and Michael Jackson to glam rock artists like David Bowie and Queen whilst employing the theatrics of artists like Andy Worhol and of her musical theatre roots in performance.

chart performance MUSIC VIDEO lady gaga 8

In the United States, the song debuted on the Billboard hot 100 at position seventy-four on the issue dated September 12, 2009. It reached a peak of six, becoming her fourth consecutive top-ten song on the chart.

thus making Gaga the first artist in the seventeen year history of Pop Songs chart to have her first four singles from a debut album reach the top of the chart.

The song debuted on the UK singles chart at number ninety-nine in February 2009 due to digital downloads after the release of The Fame. It reached number thirteen for the issue dated June 21, 2009 after jumping from forty-three to this position from the last week. The next week the song further climbed to eight and ultimately peaked at four.

awards and performances MUSIC VIDEO lady gaga 7

Gaga performed "Paparazzi" live on the UK program, The album chart show on February 14, 2009 as promotion for the fame. The song was performed at capital radio in an acoustic piano version on May 1, 2009. On June 26, 2009, Gaga performed the song at the Glastonbury festival emerging from a silver case on stage. The song was a major part of Gaga’s performance in her first headlining Fame ball tour as the opening number of the setlist.

In a poll conducted by billboard the performance was ranked as the third best in the history of MTV music video awards.


video reception MUSIC VIDEO lady gaga 6

Freedom du Lac of the washington post said that even though Gaga turns somewhat serious while disapprovingly singing "Paparazzi", the song comes across as flat and faceless as well as vapid.

Erika Howard of the new times broad walk beach called it the most telling track from the album.
Jon Caramanica of the new york times said that "'Paparazzi' is a love letter from camera to subject but stops short of admitting that the affection runs both ways. Any notion that Lady Gaga is sketching an elaborate stunt is stopped cold at the lyric sheet, a perverse flaunting of simplicity that betrays no cynicism whatsoever. Pitchfork media ranked 'Paparazzi' number 83 on their list of 2009's 100 best tracks

MUSIC VIDEO lady gaga paparazzi photos



Tuesday, 2 October 2012

MUSIC VID LADY GAGA 4 her opinion


Lady Gaga – paparazzi
Artists opinion.

RS:   What's the story behind the song "Paparazzi," because there's been a few interpretations of it? 


Lady Gaga: Well I'm so glad there are a few different interpretations, that was the idea. The song is about a few different things – it's about my struggles, do I want fame or do I want love? It's also about wooing the paparazzi to fall in love with me. It's about the media whoring, if you will, watching ersatzes make fools of themselves to their station. It's a love song for the cameras, but it's also a love song about fame or love – can you have both, or can you only have one?

MUSIC VID LADY GAGA 3 peoples opinion


Lady Gaga – paparazzi
The peoples opinions.



 Paparazzi" is the fourth single from Lady GaGa’s debut album The Fame. Despite the pheonomenal comercial success of her three earlier singles, this is easily the top artistic achievement yet. Bathed in warm chords that communicate a swirl of emotion, the song is a tribute of sorts to the symbiotic but ultimately fake and "plastic" relationship between stars and their trailing paparazzi. The accompanying music video takes the song to another level entirely.

The paparazzi who trail stars looking for a lucrative photo opportunity are easy targets for scorn as seen in Britney Spears scathing ‘Piece of me’ However, here Lady GaGa points out there is a sort of symbiotic relationship between a star and those who, for better or worse, are there to document and, in a sense, create the stardom. Musically, "Paparazzi" relies on slightly langourous synth textures and dense percussion to convey the swirl of emotions that accompany the interaction between celebrity and photographer. Sexual desire, dread, resigned acknowledgment, and an insistence that fun is still possible all swirl together in an effective stew of emotion. Lady GaGa's voice floats over the top enticing the listener into the complex world of stardom.

MUSIC VIDEO LADY GAGA 2 web info


LADY GAGA PAPARAzzi



The music video was directed by Swedish director, Jonas Arkerlund  who has previously directed music videos for artists like The smashing pumpkins, Modonna, and U2. His wife Bea Ã…kerlund was hired as Gaga's stylist for the video. Gaga told MTV that she had finished shooting “ my video for 'Paparazzi,' which I really am very pleased with the way that turned out. It's like a short film.

The video was supposed to premiere on June 4, 2009, in the United Kingdom and Ireland, on Channel 4 However, while touring in Australia, Gaga posted a message on her Twitter account on May 29, 2009 saying "Stop leaking my motherf*****g videos", which referred to the video being released without the singer's consent.

music video TASK 1 (post 1 lady gaga)


Lady gaga – paparazzi music video




I find that this is one of lady Gagas weirdest videos – for instance, I don’t really understand what its about or the message its trying to portray to the audience.

It consists of Lady gaga being pushed of a balcony ironically by her ‘lover’ and it appears she has been murdered but by the end she murders him…is this some kind of pretentious nonsense or modern ‘art’ ?

Monday, 2 July 2012

cv

Jobsite CV for shannon griffiths 28-Jul-2011 14:47 
Employment Market: Retail
Employment Type:
Notice Period:
Salary/Rate:
Preferred Role:
Current Skill Set:
Preferred Location(s):
Position Sought:
Current Work Permits:
Tel (Home):
Tel (Work):
Tel (Mobile):
Email Address: luvn-shan@hotmail.com
Date of Birth:
Street:
City:
Postcode:
Education:
Graduation Year:
Driving Licence:


Shannon Griffiths 

Personal Details 

Address: 30 the crossway 
Portchester
Fareham 
Hampshire 
PO16 8PB 

Home telephone: 02392 380 883 
Mobile telephone: 07814577498 

E-mail: luvn-shan@hotmail.com 


Personal Profile 

Qualities: - Good communication skills 
- Ambitious 
- Confident 
- Friendly 
- Positive 
- Willing to try new things 
Skills: - Effective participation 
- Communicating 
- Self management 
- Reflective learning 

Achievements 

September 2009 - Helped raise money for the alzheimers society. 


Education History 

School Town Duration 
Portchester Community school Fareham, portchester Sept 2006 - June 11 

Qualifications 

Subject Type Grade (predicted) 

English GCSE C 
Maths GCSE C 
Science GCSE B 
I.T GCSE C 
Citizenship GCSE B 
Graphic Design GCSE B 
Physical Education bTEC merit 
Art and Design GCSE D 
Media and Film GCSE B 

Work Experience (two weeks) March 2010 

Shadowing teachers/ learning support 
New bridge primary school 
Copnor 
Portsmouth 

Help organise children - Helped with work with P.E, Maths and Literacy. 


Interests 

- Meeting new people 
- Horse riding 
- Bike riding 
- Running 
- Helping people 
- Socailising 
- Quad biking 
- Jet skiing 
- Swimming 
- Travelling 
- Painting 
- Reading 

Refrences available on request. 

Kerrang

Leaflet

Kerrang

Leaflet

kerrang leaflet


kerrang target audience

Kerrang!'s popularity rose again with
 the hiring of editor Paul Rees circa 
2000 when the nu metal genre, featuring
 bands like Limp Bizkit and Slipknot
 were becoming more popular.[5] Rees
 went on to edit Q magazine and Ashley
 Bird took over as editor from 2003 to
 2005. However the magazine's sales
 went quickly into decline in 2003 and
 Paul Brannigan took over as editor.

kerrang leaflet


kerrang social networking and
 reaching its market

many of kerrangs target audience
 is of the social networking era
 so to keep up to date and within
 reach of its audience kerrang has
 its own twitter and facebook page
 to fans can keep up to date and
 follow literally everything thats 
going on the world of kerrang 

it add a more interactive element
 between the magazine and
 the people who read and
 enjoy it.

kerrang


kerrang 

Brand Description
Kerrang is the world's biggest selling
 weekly music magazine and the
 original multi-platform youth brand
 for all rock genres. Kerrang delivers
 the hottest news, reviews, gig guides,
 exclusive features, posters, videos and
 more every week. In print, on TV, radio
 and online, Kerrang lives life loud for
 its army of dedicated, music loving fans
In my opinion its biggest audience / fan
 base is young adults 14 - 24 year olds
 (ish). from what iv seen its usually 
pretentious youngsters that think that
 there cool and 'indie' (individual, how ironic)
 and read it basically for the sheer fact that 
they know other people will know there reading
 it - from the people that i know who read
 the magazine they don't seem to have found 
themselves or developed there OWN personality! 
In my eyes music is just a beat, some noise 
and words - i could probably be the next Paul
 McCartney if i tried!

kerrang - leaflet


Kerrang other markets

kerrang also has its own dating website 

this to me sounds like a good idea as it would
 be the same group of people on there
 interested in the same kind of things - music
 obviously but still quite a good idea
 nevertheless! 

Kerrang also has its own radio station
 - again for the target audience people
 know what they expect from kerrang
 from the rock and roll genres etc

they also have set up there own
 charity events this year its 'cash
 for kids' which includes a charity
 beer festival to raise money for kids
 (how appropriate) and you can donate 
online and kerrang is again supporting 
the eden projects 'big lunch' for cash for 
kids campaign

people can also buy tickets to many
 different concerts and festivals all over 
the uk through kerrang 

you can also shop for kerrang
 merchandise and other music related 
merchandise through kerrang.co.uk

Wednesday, 20 June 2012

task 4 - matts work...

Task 4

Freedom of information-

How it works
Requests must be in writing and must include your name and an address (either postal or email). Please try to be as specific as possible about the information that you would like, as this will help us to respond accurately and promptly. Where possible, please include a contact telephone number so that we can contact you to discuss your request if necessary.
Please note that we cannot accept requests via SMS (text messages).
We will respond to your request promptly and within 20 working days. The Act allows us to extend this deadline if we need to clarify your request with you, if we are charging you a fee, or if we are considering the public interest test. We will always acknowledge receipt of FOI requests made to the above address and we will let you know if we need to extend the deadline.
The Environmental Information Regulations do not apply to the BBC. This means that we will handle any requests for environmental information under the Freedom of Information Act.

Request for information under the Data Protection Act

The Data Protection Act 1998 gives individuals a right to request access to personal information held about themselves. Like the right to information under the Freedom of Information Act, the right under the Data Protection Act is subject to exemptions which may affect our ability to supply information; each case will be dealt with on an individual basis.
There is a fee of £10. For Data Protection Act requests you will also need to supply copies of two forms of identification to ensure that we are only supplying personal information to the person it pertains to. To make a request for information, or to enquire about the Data Protection Act please contact
Freedom of information (or information freedom) refers to the protection of the right to freedom of expression with regard to the Internet and information technology. Freedom of information may also concern censorship in an information technology context, i.e. the ability to access Web content, without censorship or restrictions.
Freedom of information is an extension of freedom of speech, a fundamental human right recognized in international law, which is today understood more generally as freedom of expression in any medium, be it orally, in writing, print, through the Internet or through art forms. This means that the protection of freedom of speech as a right includes not only the content, but also the means of expression  Freedom of information may also refer to the right to privacy in the context of the Internet and information technology. As with the right to freedom of expression, the right to privacy is a recognised human right and freedom of information acts as an extension to this right . Lastly, freedom of information can include opposition to patents, copyrights or intellectual property in general  The international and United States Pirate Party have established political platforms based largely on freedom of information issues.



Requesting InformationRequesting Information

We want to help you to find the information you are interested in. Before you make a Freedom of Information Act request please check that the information you would like is not already available
The BBC's Publication Scheme publishes information covering how the BBC is run and includes a disclosure log: a selection of questions and answers made to the BBC under the Freedom of Information Act.
The BBC's website publishes a vast range of information and includes information about BBC programmes as well as latest news and information regarding regional services.
If you are a journalist, you should first visit theBBC's Media Centre website.
I think that it is good to know that people can find out in more detail about different people, cultures, stories and information on their own terms. I think its the good point is that people can do their own persona research on topic that matter to them and get more in depth detail about the topic.
I think what is not so good about the 'freedom of information act' is that too much data and information about topics and people can sometimes be inappropriate due to the fact the public can receive to much unnecessary information. In my opinion I think it can be classed as bullying when there is too much information about a person. I also think it can be dangerous when people can find out too much about people, for example where they live etc.

Censorship and ownership –
Corporate censorship is censorship by corporations, the sanctioning of speech by spokespersons, employees, and business associates by threat of monetary loss, loss of employment, or loss of access to the marketplace.
Censorship is the suppression of speech or other public communication which may be considered objectionable, harmful, sensitive, or inconvenient as determined by a government, media outlet, or other controlling body. It can be done by governments and private organizations or by individuals who engage in self-censorship. It occurs in a variety of different contexts including speech, books, music, films and other arts, the press, radio, television, and the Internet for a variety of reasons including national security, to control obscenity, child pornography, and hate speech, to protect children, to promote or restrict political or religious views, to prevent slander and libel, and to protect intellectual property. It may or may not be legal. Many countries provide strong protections against censorship by law, but none of these protections are absolute and it is frequently necessary to balance conflicting rights in order to determine what can and cannot be censored.


Concentration of media ownership (also known as media consolidation or media convergence) is a process whereby progressively fewer individuals or organizations control increasing shares of the mass media Contemporary research demonstrates increasing levels of consolidation, with many media industries already highly concentrated and dominated by a very small number of firms.
Globally, large media conglomerates include Viacom, CBS Corporation, Time Warner.


I think censorship and ownership is a extremely vital and important part of creative media sectors as it makes sure everything is fair, and people do not steal things and are credited for their own work.
it makes sure everything is its correct place and fair.
I don't really see any negatives with censorship and ownership as it protects people, I guess when people steal things before they have ownership over it, because when a situation like that occurs their works has been stolen and will be extremely difficult practically impossible to reclaim.






Consumer choice –
Technological and information abundance:
·         Social sharing will intensify and choices will multiply
·         The marketing stage — even for small businesses — will be more global
·         The opportunity to target in a hyper-local way will create an unprecedented push of “deals”
·         Devices are still multiplying, not consolidating
·         Brands will be fighting hard to connect with us more directly and more personally
·         Sorting through the information density today is difficult and becoming impossible.

The good thing about consumer choice is that the marketer can research very easily what the consumer is most likely to like and choose which is easy for them to make money and the consumers to receive what they want.
what is bad about this is that the marketers go on figures and the odd people that want something else or something new or different are ignored as the are not the vast amount of consumers and will not be listened too.

Taste and decency –
Broadcasters in the UK are not allowed to show anything which offends against good taste or decency or is likely to encourage to crime or lead to disorder.
The UK has a well-established policy of making 9pm the pivotal point for evening television.
Before the Watershed at 9pm all programmes should be suitable for a general audience including children.
Ask the class:
  • Do you think that the current system is a good idea?
  • When should the Watershed start and end?
  • Has anything on TV or radio upset you recently?
  • Would people take notice of a ratings system for TV shows?
  • What would be the strengths and weaknesses of such a system?
With UK television there is a well-established policy of making 9pm the pivotal point of the evening's television.
All programmes on UK channels are usually suitable for a general audience including children before 9pm.
Divide the class into small groups and get them to agree on the types of programmes and programme content that should be allowed to be shown before the 9pm Watershed.
Useful categories could include:
  • Sex
  • Violence
  • Language
  • Nudity
  • Religion
I think taste and decency is one the most vital and important things to take into consideration when thinking of your audience especially younger ones, as you do not want to offend, disturb or upset your audiences. 
when you make a product when thinking about taste and decency it makes your show more wider to a more vast audience so therefore your product is more likely to be popular.

I can be seen as a negative thing when things are too covered up, and people have to wait to see certain products and makes more adult products less popular among vast audiences.

Thursday, 14 June 2012

all of the media industry bbc thing


Develompment in technology

BBC started when there was your basic black and white screened television. in the early 60s colour TV was introduced and changed the amount of people viewing tv boosting the ratings for all the current BBC channels at the time. this lead to the BBC adding more channels in order to expand to adapt to the new craze of watching tv. the BBC has always adapted itself to the changes in TV and radio technology and the BBC has added more radio and tv channels to compensate. CBBC was launched in 2002 which is a channel directlyy for kids which again expands on the audience and helps increase ratings. and in recent days there has been the outbreak of the internet which has changed the way people recieve information. Audiences are spending more of their time getting their information, entertainment and education from interactive and on demand services online through mobile, PC and set top box. Our audiences are now spending a rising proportion of their media consumption time with international players such as Hulu, Google, Microsoft and Facebook.
In the television arena HD, 3D and interactive television are introducing challenges from commissioning right through to distribution. The share of online live streaming and on demand content consumption for both television and radio is growing, in some cases up to 15% of all viewing of specific shows now being on demand.


By Andrew Sharp.


Funding for the BBC

The BBC domestic television channels do not broadcast advertisements; they are instead funded by a television licence fee which TV viewers are required to pay annually. This includes viewers who watch real-time streams of the BBC's channels online or via their Smart phone. BBC TV international channels are funded by advertisements and subscription. Of course the licence fee makes the expression 'free-to-air' somewhat redundant and has caused speculation between viewers. a lot of people are still reluctant to paying tv licencing claiming it is obserd and dissagree with the BBC's demands. however the BBC was the first proper broadcasting company and was the only source of tv for a long time during the 1920s and 30s so tv licencing was compulsery in order to keep the company going.despite sepeculation the government do not fund the BBC. The license fee which funds the BBC is collected from us, the public, on behalf of the Beeb by the post office, who retain a small proportion for doing so. The BBC also sells its programmes abroad & to other channels to supplement its funding.

By Andrew Sharp.

BBC

History of the BBC (British Broadcasting Corporation)

The British Broadcasting Corporation (BBC) is a British public service broadcaster headquartered at Broadcasting house in the city of westminster, London. It is the largest broadcaster in the world, with about 23,000 staff. Its main responsibility is to provide impartial public service broadcasting in the united kingdom, channel islands  and isle of man.
The BBC is a semi-autonomous public service broadcaster that operates under a royal charter and a Licence and Agreement from the home secretary. Within the United Kingdom its work is funded principally by an annual television license fee, which is charged to all British households, companies and organisations using any type of equipment to record and/or receive live television broadcasts; the level of the fee is set annually by the british government and agreed by parliament.
Outside the UK, the BBC world service has provided services by direct broadcasting and re-transmission contracts by sound radio since the inauguration of the BBC Empire Service in December 1932, and more recently by television and online. Though sharing some of the facilities of the domestic services, particularly for news and current affairs output, the World Service has a separate Managing Director, and its operating costs have historically been funded mainly by direct grants from the British government. These grants were determined independently of the domestic licence fee and were usually awarded from the budget of the Foreign and Commonwealth Office. As such, the BBC's international content has traditionally represented – at least in part – an effective foreign policy tool of the British Government. The recent BBC world service spending review has announced plans for the funding for the world service to be drawn from the domestic licence fee.

The 1920s
The 1920s see the creation of the BBC as an insititution and as a broadcaster. John Reith, the BBC's founding father, moulds its ethos – to inform, educate and entertain – which still endures to this very day, setting the model for many other public service broadcasters. 

Radio quickly takes off with the British public in this decade, as listeners cluster around their crystal sets. Broadcast 'first' follows broadcast 'first' – from first news bulletin to first outside broadcast, from first royal address to the very first sound of Big Ben on the BBC. The BBC also faces its first major government confrontation over editorial independence, during the General Strike of 1926.

The 1930s
The BBC expands with real confidence in this decade, symbolically marked by the construction of Broadcasting House, the first ever purpose-built broadcast centre in the UK. 

Innovation follows innovation, as the BBC pioneers an ever expanding range of radio broadcasts across arts, education and news, launches the Empire Service (forerunner of the World Service), and experiments with the world's first ever regular TV service under John Logie Baird.



But World War II put a rapid stop to further development - the last broadcast before the shutdown was on 1 September 1939.
TV remained silent until 1946, and the BBC radio's national and regional programmes were replaced by the Home Service.
And this was the face of British broadcasting until after the war, when normal services began to resume.

The 1940s
The outbreak of World War 2 brings a pivotal role for BBC radio (the TV service closes during this period). Winston Churchill makes his famous inspirational speeches over the BBC airwaves, and BBC news becomes a lifeline for countless listeners in the UK and around the world, as the source of objective and independent journalism.

But Radio finds a lighter entertainment voice too -  through new music and variety formats; it launches some of its long-running programmes such as Woman's Hour and Book at Bedtime; and creates the groundbreaking Third Programme (later to become Radio 3).

The 1950s
This is the decade of television – triggered by the coronation of Elizabeth II in 1953, when 20 million BBC viewers watch the young queen crowned. Subsequent television innovations include Attenborough’s Zoo Quest, Blue Peter for children, the creation of daily news bulletins and analysis programmes such as Panorama, and the first ever British TV soap.

Radio in turn brings memorable comedy, the lyrical and unique Under Milk Wood, and the longest running radio soap drama in the world, The Archers.

The 1960s
This decade sees the confident expansionism of BBC TV and Radio, symbolised partially by the building of the first ever purpose-built TV centre in the world. From here come groundbreaking social drama (The Wednesday Play), sweeping adaptations of the classics (The Forsyte Saga) and the anarchic comedy of Monty Python's Flying Circus, while on BBC radio pop music is reinvented by the birth of Radio 1.

This era also witnesses momentous technological breakthrough, as the nation gasps at pictures of man on the moon and observes the transition to new colour television.

The 1970s
The 1970s see yet more evolution in BBC broadcasting. Morecambe and Wise make the whole nation laugh, while The Family shows us ourselves as never before in the first fly-on-the-wall documentary, and Attenborough continues to reveal the natural world in new and revelatory ways. Drama expands to span both the dark and the literary, from Dennis Potter to the BBC Shakespeare Project. 

New broadcast partnerships include the BBC's link with the Open University, which breaks new ground in universalising education.

The 1980s
A war-torn world gives a renewed focus to the BBC, whether reporting the Falklands War or mounting the groundbreaking Live Aid concert. Meanwhile, one of the largest TV audiences ever is recorded for Charles and Diana's wedding, television finally colonises the House of Commons and even our breakfast tables, and the BBC launches its most popular TV soap of all time, EastEnders.

There is a serious rift with the government over editorial independence, this time around the Northern Irish issue - probably the most serious since the General Strike of 1926.

The 1990s
BBC enters the digital age in this decade, developing a range of digital broadcasting and internet services. As it makes this transition, traditional genres are continually refreshed. Andrew Davies's Pride & Prejudice captivates the nation, Only Fools and Horses makes us laugh, and Teletubbies transforms programming for young children on a global scale.

News goes 24 hours, Princess Diana dominates the documentary headlines and, by the end of the decade, 19 million people will watch her funeral.

The 2000s
This decade is the digital decade, as the BBC responds increasingly to audiences' need to have programme content 'anytime, any place, anywhere'. The IBBC iPlayer launches successfully at the end of 2007, enabling viewers in the UK to catch up on programmes screened over the previous seven days. The BBC website grows exponentially, receiving an average of 3.6 billion hits per month.

The BBC is increasingly global – its coverage of the 2008 Olympics available on TV, radio, online and by mobile phone. Its popular programmes, such as Doctor Who and Strictly Come Dancing, become universal hits.

The company - who is it owned by and does it own any other companies?










Guglielmo Marconi made his historic foray into broadcasting in 1901, when his wireless transmitted the first radio waves across the curvature of the earth.
The Italian entrepreneur's broadcast, from the Isle of Wight to Cornwall, sparked the beginning of the broadcast revolution.

By 1922, the British Broadcasting Company (BBC) began its daily radio transmissions, and "listening in" to the wireless quickly became a social and cultural phenomenon in the UK.

The BBC is owned by no one, it is the property of the british public of those who pay the television licence fee and the british government. Although it is state owned however, the BBC Trust run it on their behalf to guarantee it impartiality.

The BBC have a variety of channels including, BBC 1, 2, 3 and 4. They also have a number of radio channels playing throughout the UK. Also we have to count BBC inlayer which is a fairly recent addition into the broadcasting medium which is based on the internet and people can catch up with all BBC television programmes.

The BBC the heart of a variety of BBC corporations such as BBC american and BBC world wide.

BBC american - 

The channel launched on March 29, 1998, broadcasting comedy, drama and lifestyle programs from BBC television  and other British television broadcasters like ITV and Channel 4.
In the early days, the channel focused on repeats of popular lifestyle shows such as Changing rooms and Ground force BBC America's head of television programming later stated that it was important for the channel to establish a niche since non-UK viewers found the lifestyle shows appealing. The evening schedule is where most new programming would appear.
The network removed the popular British soap opera Eastenders from the schedules in 2003 after low ratings, but provoked a high number of complaints from viewers which caught the attention of the media.

BBC radio -

BBC Radio is a service of the British Broadcasting Corporation which has operated in the United Kingdom under the terms of a Royal charter since 1927. The service provides national radio stations covering the majority of musical genres, as well as local radio stations covering local news, affairs and interests. Internally, BBC Radio is now organised under the banner of BBC Audio & Music, which also oversees online audio content.[1]
Of the national radio stations, BBC Radio 1, 2, 3, 4 and 5 Live are all available through analogue radio (5 Live on AM only) as well as on digital radio and internet services through Real Media, WMA and BBC iplayer. The remaining stations, BBC Radio 1Xtra, 4 Extra, 5 Live Sports Extra and 6 Music, all broadcast on digital platforms only.

BBC radio times (magazine) - 

Radio Times was first issued on 28 September 1923, carrying details of BBC radio programmes (newspapers at the time boycotted radio listings, fearing that increased listenership might decrease their sales. It was at one time the magazine with the largest circulation in Europe.
Radio times is also another way how the BBC is funded - merchandise. 

by shannon griffiths