Report on the narrative structures (turning points, twists) in a thriller of your choice -
Misery
My chosen Thriller is 1990 film 'Misery'.
Brief summary of plot: Author Paul Sheldon has just completed his book series and we see him going in his car (in suspiciously dangerous looking weather) unaware, that a not so balanced minded women - Annie Wilkes is stalking him and following his every move. while on his journey his car slips of the road, due to the snow, and crashes out of sight. The Annie gets him out of the car and in the next scene we see I'm injured and her nursing him back to health - as she tells him he cannot get to hospital due to the roads and telephones being down. Paul wakes up to the Annie repeatedly saying "I'm your number one fan, I'm your number one fan..." even though she seems a bit creepy at the same time she is very pleasant and polite which is very unverving and makes her more intimidating.
We, as an audience can see that this is not an ordinary situation and looks rather suspicious, that she is his 'number one fan' and just happens to be there when he crashes...
when retired nurse, Annie, reads Pauls final book - she completely turns into a psychopath - as her favourite character is killed in the book - she beats Pauls already injured limbs and psychologically tortures him by making him burn the book, locking him in her house and making him re-write the whole book and bringing the character back to life. Paul tries to play with her mind (trying play along with her unrealistic reality) and trying to escape.
Meanwhile the local authorities (the sheriff and his wife) are looking for Paul in a serious yet comical way - which is different to see, in such a suspenseful Thriller.
Methods of suspenseful elements used:
- false hope for Protagonist Paul when he sees the telephone but Annie has taken the wire etc out
- use of silence: what's going to happen?
- music
- intercutting shots between Annie and Paul: race against time
- close ups of important element e.g: when Paul over penguin and puts it back the wrong way
- quick cuts between different shots
- variety of shots and angles
- actions of the Paul in kitchen, picking locks etc
- dramatic irony
- noises in the shot - shocking element
- everything in the shot; noises, actions etc (miss-en-scen)
- Dialogue
- performance
- makeup
- expanding key moments for instance when Annie nearly finds out Paul has been wondering round the house.
- building up obstacles for the characters - Paul needs to get the kitchen but can't due to the wheelchair.
- The director uses a point of view shot from Paul perspective looking at Annie - so that the audience can empathise with Paul and understand his situation.
Elements of Thriller, Horror and Comedy:
Mcguffin used for an 'edge of seat' reaction from the audience; telephone
crosscutting between Paul, Annie and Sheriff - when paul needs to get back to his room and Annie is returning
Editing: the short shots builds suspense
Lighting: dark, bland colours - emotionless like Annie?
camera movement: follows Paul his point of view - so audience can understand.
Back story of police; does that mean no hope for Paul as they presume he is dead.
typical genre of music (classical) to add tension and suspense to the audience
The spilled soup and Annie going mad tells the audience and Paul about Annie's state of mind
Annie vocabulary 'dirty birdy' 'mr man' 'cock-a-dodie' tells the audience that she has something horrifically wrong with her - acting like a child in some way!
Untypical to normal Thrillers they have written in some form of comedy: the sheriff and his wife
bring light to the dark and morbid situation (for the audience) but yet at the same time frustrate the audience because they are so close (like when they look for him in the helicopter) but yet they are so far away - again edge of seat reaction.